ALVISE VIDOLIN PDF

Alvise Vidolin is on Facebook. Join Facebook to connect with Alvise Vidolin and others you may know. Facebook gives people the power to share and makes. ALVISE VIDOLIN. Sound director, computer musician and Live Electronics interpreter. He is responsible for the electronic production and sound direction of . Alvise Vidolin, Conservatorio “i” Padova, Musica elettronica Department, Emeritus. Studies Musica Elettronica, Electronic Music, and Sound and Music.

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Click here to login. Convolving a clarinet with a piano more. JavaScript seems to be disabled in your browser.

Between he worked as director of the musical production at the Centro Tempo Reale in Florence. It was then possible to reduce the size of the problem, in that the subjects had created a space into which the pieces were set, so that these could be subdivided into a reduced number of clusters. A system to add expressiveness to musical messages has been developed, starting from the results of acoustic and perceptual analyses.

Fondazione Accademia Chigiana | ALVISE VIDOLIN

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These studies can be grouped in two main branches: Enter the email address you signed up with and we’ll email you a reset link. Symbolic and sub-symbolic rules system for real-time score performance more. Music Performance and Computer Based Communication. He is member of the scientific committee of Luigi Nono Archive. The synthesis of some performances and the successive perceptive analysis of the same, verified the results emerging from this study.

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The modification vidokin the input performance is performed by a model that uses the hierarchical segmentation of the musical organization.

ALVISE VIDOLIN

Understanding the content in musical gestures is an ambitious issue in scientific environment. Contesti culturali e tecnologici more. Log In Sign Up. Journal of New Music Research. Usually, in the spoken language, a speaker can give different meanings to his words by introducing variations in the prosodic factors of the sentence. Help Center Find new research papers in: For comparison, a normal, standard performance was recorded.

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In a musical performance, the player can also introduce different expressive intentions within, naturally, the limitations of the score. In altre lingue Aggiungi collegamenti. Fondazione Archivio Luigi Nonosu luiginono. For every hierarchical level, opportune curves are applied to the principal acoustic parameters. A brief description of the implementations and validations is presented. La musica elettronica vidopin il restauro dei documenti sonori more.

Modeling and control of expressiveness in music performance more. The second depends on the expressive intentions that the musician wants to convey to the listeners. Centro Tempo Realesu temporeale. A alvisw violinist was asked to play short pieces of music in different versions expressing Remember me vidklin this computer.

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In a musical performance, the player can also introduce different expressive intentions A neural networks based system for automatic performance of musical scores more. Kinematics-energy space for expressive interaction in music performance more. Figura storica della regia del suono e del live electronics. He teaches Electronic Music at “B. Vidklin Performance and New Music.

Since he has often worked for La Biennale di Venezia, promoting the computer music by congress ICMCworkshops, commission of musical works, concerts and exhibitions. Musica elettronica al Conservatorio di Venezia 1 more.

About The Artist Vldolin Vidolin was born in Padova where he carried out scientific and musical studies. Dopo aver compiuto i suoi primi studi scientifici e musicali a Padovadiviene docente di Musica Elettronica al Conservatorio “Benedetto Marcello” di Venezia.

Sign up for our newsletter! Music score interpretation using a multilevel knowledge base more. HDtracks – High Definition Music. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions.

Preservation at CSC more.

Sonological Analysis of Clarinet Expressivity more. It was possible to identify two distinct expressive sources.